Italiante Mountainous River Landscape with Hill Top Town.
This stunning French 19th century landscape is by acclaimed Neo Claissical French artist Jean Victor Bertin. He was also an early proponent of sketching out doors and direct observation in order to replicate nature later in studio paintings. This superb painting of great historical interest is of a mountainous river landscape. Central is a hill top town and figures and a cart are in the foreground. A stunning painting. His works are housed in all the major art collections worldwide including The National Gallery, The Scottish National Gallery. The Louvre and the National Gallery Washington.
Signed and dated 1827 lower right.
Provenance. Anonymous sale, Sotheby's, New York, 28 January 2000, Lot 108.
Christie's, London, Old Master Pictures, 27 April 2007, Lot 119. Acquired from the above by Lord Wraxall.
This is one of our all time favourite Old Master landscapes with fantastic detail and light. One can imagine Bertin sat there in the fresh air capturing this beautiful scene.
The Madonna and Child with Saint Catherine and Putti
This stunning Italian 17th century Old Master religious oil painting is by Baroque artist Giuseppe Bartolomeo Chari. Painted circa 1684 it is a large and vibrant oil painting of the Madonna and child. To their left is Saint Catherine and to their right four putti or cherubs look upon a sleeping Jesus. The detail in all the figures faces and hair and the colouring is just superb, especially the Madonna's sumptuous blue robe. A really fabulous 17th century religious work with previous full attribution and excellent provenance which was once attribted to Carlo Maratta (1625-1713).
Provenance With Vangelisti, Lucca, Italy, 1966, from whom acquired by the family of the previous owner, and thence by descent.
Red seal stamp verso
Christies April 15th 1912
Christies March 23 1956
This superb, large British Victorian oil painting is by noted Newlyn and Menton artist Arthur Alfred Burrington. It was painted circa 1890 when Burrington was most likely in Newlyn, having been encouraged to visit by his good friend Stanhope Forbes. The setting is a school interior where several children of a variety of ages have abandoned their books and teacher at the table to watch a Punch and Judy show through the window. The scene is painted in the muted palette of the Newlyn School with wonderful use of light, particularly on the table and through the window. A lovely Newlyn school painting with great detail and colouring and an excellent example of Burrington's work from that period. Signed lower right.
This stunning British 18th century Old Master portrait oil painting, with exceptional provenance, is by noted artist George Romney. It was painted in 1788, commissioned by James Evelyn of Felbridge as it is of his younger daughter Anne, aged 20 years old. James was a Doctor of Law and Anne's mother was his second wife, Jane. Felbridge house, Anne's home, was in the village of Godstone in Surrey. This superb oil painting is a seated portrait of Anne, wearing a white dress with a green sash, her forearms exposed and her hands in her lap. Anne is blessed with the most wonderful long auburn curly hair and is visually stunning. Her body is partly turned away from the artist/viewer and she is slightly gazing down at us with confident, clear eyes. Anne is pictured in a landscape with a dramatic sky behind her. Romney's brushwork on her dress, hair and the background is superb. The delicate detailing of her facial features is also stunning. Sometimes Old Master portraits can be a little staid, but this one of Anne with her wild auburn hair and bold look is just magnificent. This is a fantastic example of George Romney's work and of an 18th century British Old Master with exceptional detailed provenance.
Name plate states: Anne, younger daughter of James Evelyn of Fellbridge Esq. 1788, aged 20. Romney.
Provenance. With Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851)
With The Hon. Henry Berkeley Portman (1860-1923),
Later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929)
By 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962)
Thence by family descent.
Painted in 1788. There are various labels verso.
Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'.
Further Bibliography:Gower (R. S.) Romney, London, 1904, p. 175 Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51
We absolutely love this superb Scottish Impressionist Royal Academy exhibited landscape oil painting is by noted Scottish Glasgow Boy artist George Henry. He influenced the Glasgow School towards a richer more vibrant use of colour as can be seen in this painting. Painted in 1932, it was exhibited at the Royal Academy, London in 1933, entitled Chanctonbury Ring. The location is the well known landmark, Chanctonbury Ring, at the top of Chanctonbury Hill in Sussex. The landscape has tremendous depth and scale to it as one's eye is drawn across the fields and vivid blue river in the foreground, to the cows grazing before the colourful tree line and then up to the copper beech trees crowning the hill beneath a blue sky. The depiction of shadow and light on the field and hills is also superb. This is an excellent example of a Scottish Glasgow Boy painting with excellent provenance and has a wonderful tranquillity and spaciousness about it. Signed and dated 1932.
Provenance Exhibited at the Royal Academy London in 1933 no. 157 and entitled Chanctonbury Ring. Illustrated on page 89 of the Royal Academy Illustrated guide.
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