This beautiful Scottish Impressionist Edwardian architectural oil painting is by noted artist James Kay. Painted circa 1900 the painting is of Exeter Cathedral in Exeter in Devon in the south west of England. The composition shows the square leading up to the cathedral which is populated with figures dressed in their finery, many with parasols and even a horse and cart. One can just see a couple of buildings to the right of the cathedral and trees on the left. The cathedral itself fills three quarters of the canvas and is easily identified by its architecture. The Impressionist brushwork and heavy impasto are superb. The use of blue for shadows on the square echoes up to the blue sky showing through the clouds and is reminiscent of Monet and his exterior cathedral scenes. This is a stunning Scottish Impressionist Edwardian oil painting and an excellent example of Kay's work.
Celebrarting Imbolc, a Gaelic traditional festival marking the start of spring, and for Christians is the feast
day of Saint Brigid, Ireland's patroness saint. Held on the 1st February, about halfway between the
winter solstice and the spring equinox.
Miles Peter Richmond (1922-2008)
Abstract Yellow Flowers
This superb British 1940's abstract expressionist oil painting is by noted founder member of the Borough Group artist, Miles Peter Richmond. Painted in 1947 it has another unfinished oil painting verso by the same artist. Richmond was a huge admirer and follower of David Bomberg, having studied under him. Indeed he followed Bomberg to Spain where he lived and worked for twenty years. Bomberg's influence can been seen in this painting with its bold brushwork and vibrant colours as well as incredible visual depth. This is a fantastic example of British abstract art in the 1940's and of Richmond's work.
Unsigned.
Provenance. The Artist, from whom acquired by previous owner, 2001
Private Collection, UK.
Bartley Grey Gallery London. Label Verso.
This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Neilson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.'
Norah Neilson Gray was a Scottish artist known for her striking portraits and remarkable ability to capture the essence of the sitter. She achieved international status and recognition during her lifetime, and was one of the most esteemed female painters of the early twentieth century.
She was a member of The Glasgow Girls, a group of women artists and designers active in Glasgow at the turn of the twentieth century. The group including Margaret and Frances MacDonald, Jessie M. King, Annie French, Helen Paxton Brown, Jessie Wylie Newbery, Ann Macbeth, Bessie MacNicol, Norah Neilson Gray, Stansmore Dean, Eleanor Allen Moore, De Courcy Lewthwaite Dewar, the silversmith Agnes Banks Harvey and Christian Jane Fergusson. Their paintings including Exotic were exhibited in Kirkcudbright in July and August 2010.
The painting is a seated portrait of Rita McIIraith, sat in the lotus position in a meditative pose, gazing serenely before her. She is wearing a fabulous orange and floral off the shoulder dress and in her arms are yellow and white flowers. The heavy impasto and vibrant colours are superb. A stunning oil painting by an incredibly talented Scottish female artist whose works are in numerous international museums.
Signed upper right.
Provenance Exhibited: Royal Glasgow Institute of the Fine Arts 1924, no.283, Ill.48
Exhibited the Royal Scottish Academy 1925, No. 374, entitled Exotic.
Kelvingrove Museum and Art Gallery, Glasgow Girls - Women in Art and Design 1880-1920, 1990-91, Illustrated fig. 315.
Glasgow Girls: Artists and Designers 1890-1930. Illustrated on page 52, Mr John W D Thomson.
Exhibited in Kirkcudbright in July and August 2010.
This superb vibrant Oriental Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted circa 1925 when Pryse first visited Morocco. He was so entranced by the country and culture that he returned to live there for a few years in the early 1950's. This painting is a very bustling street market scene in Tangiers with dozens of figures, a couple of donkeys and baskets of lemons dotted about along the street. Indeed, a donkey is carrying more baskets of lemons and a figure in the foreground is holding one whilst a stall holder attends to his scales. Tangiers lemon were, and still are, used for lemon flavoured tea and also in hookah pipes. There is an almost abstract feel to the painting as most of the figures are wearing white or beige clothing, with splashes of red and pink here and there and a stream of yellow running through the middle. Pryse has used his bold brushwork and impasto to really capture the colours and shapes of the lemon market. This is an excellent example of his work from his time in Morocco and one can only imagine the wonderful smell of the lemon market.
This superb Vibrant British Post Impressionist floral oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1930 the composition is a mass of sweet pea flowers in shades of pink, completely filling the canvas. The brushwork is superb with heavy impasto in the range of pinks and greens. A really gorgeous, lush painting and an excellent example of Pryse's work.
This superb British Post Impressionist figurative landscape oil painting is by war artist Gerald Spencer Pryse. Painted circa 1953 it depicts festivities outside Buckingham Palace, London. In the foreground are a large crowd including two girls dancing. In the middle ground is a beautiful memorial commemorating Queen Victoria. It was designed and built by Sir Thomas Brock between 1911 and 1924. Beyond is Buckingham palace. Red and yellow banners flutter above the crowd's head. Pryse had an eye for catching the mood of a scene, be it in the trenches or a happier scene such as this. An excellent example of his work and a great historical artwork.
Unsigned.
Provenance. From the artist's estate.
Exhibition label verso.
Have you got your tickets for Crufts yet? We're going for the first time this year and are very excited. These three cuties would get our vote.
Hilda Annetta Walker (1877-1960)
Portrait of Three Pedigree Pekingese Dogs
This gorgeous British 1930's triple dog portrait oil painting is by female artist Hilda Walker. She was born in Yorkshire and studied art in Leeds and London and was also a sculptor. She flourished between 1902 and 1958, continuing to paint well into her late 70's. This lovely painting, painted in 1934 and signed and dated lower left, is of three pedigree Pekingese dogs; Wee Keep, Wee Boy and Wee Sing, sired by Boy Wang from a breeder in Cornwall and their details are inscribed verso. The dogs are sat close together in a group against a light green background, all looking at the artist/viewer, their eyes shining. They are all different shades and Walker has perfectly depicted their soft hair and sweet little faces with great detail and brushwork. The frame housing them is the perfect colour. This is a superb thirties oil painting of not one but three Pekingese dogs and I doubt we'll have it for long. It is also an excellent example of Walker's work in the prime of her artistic career.
Signed and dated 1934 lower left.
Provenance. Details of dogs verso.
Faintly inscribed verso with the names of the dogs; "Wee Keep [?] (bitch), Wee Boy (dog), and Wee Sing (bitch), Sire 'Boy Wang", the breeder is given as 'Mrs Beswetherick of Woon Nr St Austell in Cornwall
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