Margaret Sarah Carpenter (circle) (1793-1872)
|Artist Name||Margaret Sarah Carpenter (circle) (1793-1872)|
|Title||Boy on Ride|
A delightful old master oil on canvas portrait of a boy, circle of accomplished female artist Margaret Carpenter. This stunning old master half length portrait circa 1800's is of a young boy in a wooded landscape, holding a riding crop. The subject of a child absorbed in his pastime is typical of her work. His face is beautifully illuminated, the colours reflecting the setting sun behind him. A fine old master country house painting. Her portraits are noted to be in the style of sir Thomas Lawrence.
|Provenance||Provenance. Private purchase.|
|Medium||Oil on Canvas|
|Size||25 x 30 inches|
|Frame||Framed in a fine period gallery frame 40 inches by 35 inches. Excellent condition.|
Margaret Carpenter (1793-1872) was born in Salisbury. As a child, Margaret was in demand for drawing portraits from families in the surrounding areas. Apart from some limited instructions, she developed her art on her own. She was self-taught and was admired for her outstanding skill. She was considered to be the most accomplished woman portrait painter of her time and was a member of an artistic dynasty: her father was the painter A.R. Geddes, and her children Jane Henrietta and William followed in her career.
Her earliest training lay in making copies from the collection of Lord Radnor at Longford Castle. In 1814 she moved to London and very swiftly established herself as a highly fashionable portrait painter, supplying 236 works for public exhibition at the Royal Academy, the British Institute and the Society of British Artists between 1814 and 1866. As this portrait demonstrates, her fluid and accomplished manner was most clearly influenced by the work of Sir Thomas Lawrence and she finished his portrait of Mrs Brandling. Our portrait is entirely characteristic of her charming portrayals of young children absorbed in their own pleasures. Her leading points were firmness of touch and brilliancy of colouring, be it in water or in oil colours. She sent pictures to the Society of Arts for three years continuously. She was acknowledged for her talent and industry. She was awarded gold a medal for “Study of Boy’s Head”.
Margaret’s determination and ambitious nature along with her talent helped her acquire a high and admirable position throughout her life. She was married to William Hookham Carpenter in 1817. He was the keeper of prints and drawings in the British Museum. In spite of marriage and several children, her professional output rarely flagged. As a woman, she could not call upon nobility and gentry, but despite that, her account list showed more than 600 clients from all walks of life. Carpenter had to support her poverty-stricken parents and her own family. This meant money was a crucial factor for her.
After the death of her husband in 1866, she received £100 as pension from Queen Victoria. This was due to her husband’s service as well as recognition for her artistic merits. She died on 13th November 1872 in London. She was in her 80s.
SIR THOMAS LAWRENCE (1769-1830)
Sir Thomas Lawrence PRA FRS was a leading English portrait painter and the fourth president of the Royal Academy. Lawrence was a child prodigy. He was born in Bristol and began drawing in Devizes, where his father was an innkeeper. At the age of ten, having moved to Bath, he was supporting his family with his pastel portraits. At eighteen he went to London and soon established his reputation as a portrait painter in oils, receiving his first royal commission, a portrait of Queen Charlotte, in 1790. He stayed at the top of his profession until his death, aged 60, in 1830.