John Vanderbank (1694-1739)
|Artist Name||John Vanderbank (1694-1739)|
|Title||Portrait of Mrs James Hoste nee Hamond|
|Description||This superb large three quarter length British Old Master portrait in a landscape oil painting is attributed to circle of John Vanderbank the Younger. Painted circa 1738 the sitter is Mrs James Hoste of South Wootton and Sandringham, nee Hammond. She was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. The sheen of her blue satin dress against her gold cloak is stunning. A really lovely 18th century portrait with excellent provenance.
Inscribed with sitter details lower left.
|Provenance||By descent within the family of the sitter at West Acre High House, Norfolk;
Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36.
Sitter's details on two labels verso.
|Medium||Oil on Canvas|
|Size||40 x 50 inches|
|Frame||Housed in an ornate gilt frame, 58 inches by 48 inches and in good condition.|
|Biography||John Vanderbank (1694-1739) was an English portraitist and book illustrator, who enjoyed a high reputation for a short while during the reign of King George I, but who died relatively young due to an intemperate and extravagant lifestyle. Vanderbank was born in London, the eldest son of John Vanderbank Snr, a Huguenot tapestry weaver, who had been born in Paris but forced to flee to Holland before coming to England where he became head of a Soho tapestry weaving factory. Vanderbank studied under Sir Godfrey Kneller at James Thornhill's art academy in Great Queen Street from 1711 until 1720, when he joined with Louis Chéron to found his own academy in St Martin's Lane. The venture proved a failure, and in 1729 he went to France to avoid his creditors. On his return he entered "the liberties of the Fleet" – mansion houses near Fleet prison, London, in which certain privileged prisoners could serve out their sentences in return for payment. It was noted by George Vertue that "only intemperance prevented Vanderbank from being the greatest portraitist of his generation." He died of tuberculosis in Holies Street, Cavendish Square, London, on 23 December 1739 (aged 45) and was buried in Marylebone church. Vanderbank's portraits, among which are those of many eminent persons, are skilfully drawn and full of character, but slight and careless in execution. He had a great talent for historical composition, and Vertue spoke highly of some of his works of this class. Vanderbank’s book illustrations include: the portrait of Sir Isaac Newton used in the frontispiece of the 1726 edition of Principia; the 66 plates of the first edition in Spanish of Miguel de Cervantes' Don Quixote published in London (1738); and illustrations for 'Twenty-five Actions of the Manage Horse, engraved by Josephus Sympson (1729). His 1725 portrait of Sir Isaac Newton hangs in Trinity College, Cambridge. Many of his portraits were engraved by John Faber Jr. and George White. Vanderbank was amongst a group of artists painted by William Hogarth, of which there is an engraving by R. Sawyer.|