Albert Chevallier Tayler (1862-1925)
| Artist Name | Albert Chevallier Tayler (1862-1925) |
|---|---|
| Title | The New Dress |
| Description | This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding up sheer fabric that she is planning to use for a new dress. She is watched by two more young women and an older lady as they consider her choice. A hat box of ribbons lies on the floor. This is a lovely dynamic figurative interior painting telling a story of dress making at home and a young woman's hopes and dreams of a new dress, maybe even a wedding dress. The is also an excellent example of Victorian art and of Tayler's work. Signed and dated (18)96 lower left. |
| Provenance | Sussex estate. |
| Medium | Oil on Canvas |
| Size | 24 x 18 inches |
| Frame | Housed in a fine Victorian gilt frame. Framed size is 31 inches by 25 inches and in good condition. |
| Condition | Good condition. |
| Biography | Albert Chevallier Tayler (1862–1925) was an English artist who specialised in portrait and genre painting, but was also involved in the plein air methods of the Newlyn School. He studied at Heatherley's School of Art, Royal Academy Schools and with avant-garde painters in Paris. He was educated at Bloxham School in Oxfordshire and won a scholarship to study at the Slade in 1879. He is most known for his twelve-year involvement with the Newlyn School of painting. The Newlyn school was spawned after many international artists followed the En plein air school in France, whereby artists would leave Paris and take up rural life in small colonies of kindred painters. Thence, as artists returned from France to their own countries, they sought out remote locations to congregate and pursue the En plein air method. The Newlyn School is also known as British Impressionism. A typical painting of this early period is A Dress Rehearsal (1888), hung in the National Museums Liverpool. This painting makes use of light and shadow and is based upon a genre scene as might have occurred in Cornwall. The Newlyn School drew their subjects from everyday life in the local area. Other associate artists of the Newlyn School were Henry Scott Tuke, Thomas Cooper Gotch, Caroline Gotch, Stanhope Forbes, Leghe Suthers, Walter Langley and Elizabeth Armstrong. Like most of the Newlyn artists, he also trained in France, attending Laurens' atelier in Paris. He arrived in Newlyn in September 1884, the same year that Stanhope Forbes joined the growing colony of artists. Tayler's initial visit lasted only a few weeks and throughout his time as a Newlyner he continued to visit other parts of England for months at a time. In 1895, he finally left the village for good, Norman Garstin commenting that he had folded his sketching umbrella and silently stolen up to Kensington. Tayler was a particular exponent of the square brush technique adopted by many of the Newlyn artists in emulation of French painters, particularly Jules Bastien-Lepage. The technique involves painting with a flat paintbrush, laying the paint on the canvas straight from the palette using the square edge of the brush. The softened edges achieved with this technique give a feel of atmosphere and light. During the 1890s he maintained connections with the art centre of London and exhibited regularly at the Royal Academy; however, at about the turn of the century he moved to London and converted to a more genteel, urban lifestyle. Tayler began painting more grand scenes of the cities of Europe. In 1901 he painted one of his largest and most masterful works, The Ceremony of the Garter, depicting the famous late Middle Ages scene at Eltham Palace in which the fallen garter of Joan of Kent is picked up by King Edward III. This event circa 1348 led to Edward III founding the Order of the Garter. By 1903 Tayler was renowned and was commissioned to paint a large panel at the Royal Exchange in London; the resultant painting of The Five Kings depicts Kings Edward III of England, David of Scotland, Peter I of Cyprus, John of France and Waldemar IV of Denmark partaking in a feast hosted by the Master of the Society of Vintners in London in 1363. Tayler was an avid cricketer, and in 1905 produced a set of twelve watercolours of famous and mostly royal cricket players. Lord Leverhulme used the series to produce lithographs and advertise his Lever Brothers soap products. The promotion proved popular, and the National Portrait Gallery, London has nine of these images hanging. In 1906 he painted a famous picture of a cricket match in progress, Kent vs Lancashire at Canterbury, which was commissioned by Kent. In June 2006, the county sold the painting at auction for £680,000, a record price for a cricket painting. |
| Price | £12000 |
