Frederick Waters Watts (1800-1862)
| Artist Name | Frederick Waters Watts (1800-1862) |
|---|---|
| Title | A Country Lane Landscape |
| Description | This lovely British 19th century landscape oil painting is by noted artist Frederick Waters Watts. Painted circa 1840, the composition is of a boy in a hat taking his sheep and cattle along a sunny country lane from a thatched cottage village with a lake to the right and landscape beyond. It is summer and there is lush flora and fauna either side of the track. The brushwork and detail are superb as is the rich pallet of green and brown hues. The present pastoral and picturesque landscape is typical of Watts' oeuvre, which was heavily influenced by John Constable (1776-1837), whilst also revealing a debt to earlier generations of Dutch landscape painters, which included figures such as Jacob van Ruisdael (1628/29-1682) and Meindert Hobbema (1638-1709). This is an excellent example of a Frederick Waters Watts painting. |
| Provenance | Vicars Brothers Gallery. Bond Steet London. Label verso with title. Christies sale. Lot 379 July 1994. |
| Medium | Oil on Canvas |
| Size | 30 x 25 inches |
| Frame | Housed in an ornate gilt frame. Framed size is 37 inches by 32 inches and in good condition. |
| Condition | Good condition. |
| Biography | Frederick William Watts' early years have always been something of a mystery. It is thought that he was born in Bath, 7th October 1800 and baptised the following year in St. Albans as William Watts. It is most probable he enrolled in the RA Schools in 1817 as William Watts subsequently changing his name to Frederick William Watts to avoid confusion with the landscape painter, William Watts (1752-1851). He was awarded Silver Medals at the RA School 1819-1821 and exhibited at the London Royal Academy from 1821 until 1862. Watts also exhibited at the British Institution, Suffolk Street Galleries and at the New Watercolour Society. Watts lived in Hampstead from 1821, where John Constable (1776-1837) also lived, and, some twenty-five years older, was to have a marked influence on Watts’s style. Although it is not known that they ever met, Watts would undoubtedly have been familiar with his work and Hampstead was a relatively small town. Watts painted landscapes throughout England and Wales, visiting north and south Wales, Derbyshire, Devon, Isle of Wight, Sussex and, of course, Suffolk and Essex. He painted many views around what is now north London and Middlesex and views on the Thames. Watts was highly successful in his portrayal of the English landscape and widely collected in his lifetime and throughout the twentieth century in Britain, Europe and North America. His work can be found in: London, Victoria and Albert Museum and The Tate. |
| Price | SOLD |
