George Cole (1810-1885)
|Artist Name||George Cole (1810-1885)|
|Title||A Stream in the Forest|
|Description||A fine and very detailed large Victorian British landscape painting. Painted in oil on canvas it is by listed and exhibited Victorian artist George Cole, dated 1859. A wonderful large work by Cole and one of his best. Cows are cooling themselves in the stream and a couple sit beside the water. A really charming Victorian painting.
Signed lower right George Cole and dated 1859.
|Medium||Oil on Canvas|
|Size||40 x 30 inches|
|Frame||Housed in a complementary frame, 50 inches by 40 inches and in good condition.|
|Biography||George Cole (1810-1883) was a portrait landscape and animal painter in oils. He was the father of George Vicat Cole. Cole was born in Portsmouth to James and Elizabeth Cole. His mother died when he was 9 years old. According to the artist's grandson, Rex Vicat Cole, he was apprenticed to a ship's painter in the Royal Navy dockyards at Portsmouth. He taught himself to paint pictures, at first portraits and animals; he also painted posters for Wombwell's menagerie. In 1838 Cole's painting The Farm Yard was shown at the Society of British Artists.When he was 30 he changed his focus to landscapes and received instruction from John Wilson and started exhibiting in 1840. One anecdote has him painting the portrait of a Dutch merchant in Portsmouth. After the sitter refused to pay him, saying it was a bad likeness, Cole added wings and put the painting in a shop window with the title The Flying Dutchman. The man's friends recognised him and laughed; he paid for the painting, and Cole painted out the wings. His career has been regarded as a good example of the Victorian self-made man: in 1831 he married Eliza Vicat, of an old French Huguenot family. In 1852 he moved to Fulham and in 1855 to Kensington, where he lived for the rest of his life. In the mid-1860s he purchased Coombe Lodge, a small estate in Hampshire. In a series of richly coloured and detailed landscapes on large canvases executed during the 1860s and 1870s, Cole created an idealized version of the Hampshire moorlands and agricultural landscape; examples include Fern Carting, Harting Coombe (1873, Russell-Cotes Art Gallery and Museum, Bournemouth). Cattle continued to play an important role in his compositions, and he specialized in the depiction of river scenery with cows watering, including, for example, Windsor Castle (1876, exh. RA, 1878; Anglesey Abbey). Reassuring in their presentation of a seemingly timeless Englishness, these images were eagerly purchased by Victorian collectors. Although he exhibited sixteen works at the Royal Academy, Cole's work formed a mainstay of the exhibitions of the Society of British Artists at Suffolk Street, where he exhibited 209 paintings from 1838 until his death in 1883. He was elected a member in 1850, became auditor in 1856, and vice-president in 1867. He was also awarded a medal for a harvesting scene in 1864 by the Society for the Encouragement of the Fine Arts.
George Cole died on 7 September 1883 at his home at 1 Kensington Crescent and was buried in Kensal Green cemetery, London. Of his other children, Alfred Benjamin Cole was also an artist.
Exhibited at the Royal Society of British Artists 15, Arthur Tooth 2, Birmingham 1 and The Royal Academy