Laurent de la Hyre (1606-1656)

Artist Name Laurent de la Hyre (1606-1656)
Title Portrait of Putti Playing at the Edge of a Wood
Description This stunning French 17th century Old Master oil painting is by Baroque artist Laurent de la Hyre. It was painted circa 1645 and has excellent provenance from Christie's.  The painting is a superb large oil on canvas depicting two Putti or winged male cherubs in the foreground, on the edge of a wood. They are wrestling over some reeds, their red and black bows discarded in their play. The putti are beautifully illuminated, almost glowing with a superb play of light and shadow on their bodies against the darker background of the woods and landscape. The detail in their wings, hair and the flora and fauna are fantastic. This is a stunning large French Baroque Old Master oil painting from the 17th century and an excellent example of Hyre's work 
Provenance Christie's, 'Old Master Pictures', 11 December 2002, lot 79. Stamp verso.
Medium Oil on Canvas
Size 46 x 36 inches
Frame Housed in an ornate gilt frame, 54 inches by 44 inches and in good condition.
Condition Reasonable condition for age
Biography Laurent de La Hyre (1606-1656) was a French Baroque painter, born in Paris. He was a leading exponent of the neoclassical style of Parisian Atticism. La Hyre was greatly influenced by the work of Italian artists who came to Paris. He became a pupil of Georges Lallemand and studied the works of Primaticcio at Fontainebleau, but never visited Italy. La Hyre's captivating use of color and delicately posed figures are a trademark of his early, painteresque style. He was an innovative artist who used his superior skills as a storyteller to portray rarely depicted subjects. La Hyre is associated with the transitional period before the introduction of the French Baroque by Simon Vouet. His picture of Pope Nicholas V opening the crypt in which he discovers the corpse of St. Francis of Assisi standing (located at the Louvre) was executed in 1630 for the Capuchin friars of the Marais; its gravity and sobriety seems to have been influential for the next generation of French painters, particularly Eustache Le Sueur. The Louvre contains eight other works, and paintings by La Hyre are in the museums of Strasburg, Rouen and Le Mans. His drawings, of which the British Museum possesses a fine example, Presentation of the Virgin in the Temple, are treated as seriously as his paintings, and sometimes show simplicity and dignity of effect. The example of the Capuchins, for whom he executed several other works in Paris, Rouen and Fécamp, was followed by the goldsmith's company, for whom he produced in 1635 St. Peter healing the Sick (Louvre) and the Conversion of St Paul in 1637. In 1648, La Hyre was one of the founders of the French Royal Academy of Painting and Sculpture and was elected as one of the original twelve elders in charge of its running. Richelieu called La Hyre to the Palais Royal; Pierre Séguier, Gédéon Tallemant des Réaux and many others entrusted him with important works of decoration; for the Gobelins he designed a series of large compositions. La Hyre painted also a great number of portraits, and in 1654 united in one work for the town-hall of Paris those of the principal dignitaries of the municipality. His students included François Chauveau.

A putto is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism, the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti).
Price £34000
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