Edward Henry Molyneux (1891-1974)
|Artist Name||Edward Henry Molyneux (1891-1974)|
|Title||Narcissi Floral Arrangement|
|Description||This superb Post Impressionist British floral oil painting is by designer and life long artist Edward Henry Molyneux. Painted in 1953 it is an arrangement of Pheasant's Eye Narcissi in a glass vase against a vibrant yellow background. Known for his refined simplicity as a designer, this loose floral arrangement against such a strong background, with the merest suggestion of a shadow and the strong lines around the vase epitomises how striking simplicity can be. Probably one of my all time favourite florals and finished off by the perfect frame.
Signed and dated '53 lower left.
|Medium||Oil on Canvas|
|Size||15 x 15 inches|
|Frame||Housed in an ornate frame, 22 inches by 22 inches framed and in good condition.|
|Biography||Edward Henry Molyneux (5 September 1891 – 23 March 1974) was a leading British fashion designer whose salon in Paris was in operation from 1919 until 1950. He also painted and exhibited throughout his life and amassed a sizable art collection. Edward Molyneux was born on 5 September 1891 in Hampstead, London, to Justin Molyneux and Lizzy Kenny. He was of Irish and French Huguenot ancestry. His uncle was Major Edward Mary Joseph Molyneux, who became known for his paintings of the Kashmir region. Edward was educated at Beaumont College, a Roman Catholic public school. Owing to the death of his father, he left school at the age of 16 to support himself and his mother while pursuing his ambitions as a painter and illustrator. Molyneux found employment as a sketch artist for the London edition of the American magazine The Smart Set, where his drawings of fashionable women attracted the attention of the celebrated couturier Lucile (in private life Lady Duff Gordon). She hired him as a sketcher in her London salon in 1910 and by the end of the following year had promoted him to assistant designer at her Paris branch. He also worked for Lucile in New York. On the outbreak of the First World War, he joined the British Army's Duke of Wellington's Regiment with which he fought in the Battle of Arras. He attained the rank of captain but losing the sight in one eye. For a time, he worked in the Admiralty's signals intelligence unit, Room 40. He returned to work for Lucile after being invalided out of the war but a disagreement with her resulted in the termination of his contract in 1919. Molyneux opened his own fashion house in Paris at 14 rue Royale in November 1919 (later, 5 rue Royale), expanding to Monte Carlo in 1925, Cannes in 1927, and London in 1932. The designer quickly became known for an impeccably refined simplicity. Frowning on superfluous decoration, he regularly dressed European royals, including Princess Marina, Duchess of Kent. He was also a favourite with trendsetting actresses including Greta Garbo, Marlene Dietrich, Gertrude Lawrence, Margaret Leighton, and Vivien Leigh. Protegés included future couturiers Christian Dior and Pierre Balmain, and he was friends with playwright Noël Coward. During the Second World War, he moved his firm to London for the duration of the conflict and returned to Paris in 1946. Retiring in 1950, Molyneux left his fashion house in the hands of Jacques Griffe. He resumed designing in 1964, opening Studio Molyneux, a high quality ready-to-wear line that received mixed reviews. He retired for a second time in 1969.
Molyneux painted throughout his life, and exhibitions of his paintings were held at the Galerie Weill in Paris (between 1950 and 1956) and at the Hammer Galleries in New York (1967). Here, "Carnations in Vase" was purchased by the Duke and Duchess of Windsor, and "Roses in Glass" by Greta Garbo. Molyneux also amassed an extensive Impressionist art collection, including paintings by Picasso, Monet, Manet and 17 by Renoir. In 1955 they were sold as a lot to Ailsa Mellon Bruce, who in 1969 bequeathed the collection to the National Gallery of Art, Washington, D.C. Molyneux died on 23 March 1974 in Monte Carlo.